musgo2 is a project by Gijón-based artist Nacho Rebollo Sánchez, grounded on an ethos that is as simple as it is forceful: doing things wrong and do them fast, but do them.The project is driven by sporadic bursts of inventiveness, moments when creating stops being a choice and turns into a necessity.
Moving restlessly between electronic music, noise, and pop, musgo2 builds a sonic universe where the organic bleeds into early-2000s digital environments: voices that feel like they’re coming through a Skype call, tracks ripped as the lowest-quality mp3s, sounds that seem pulled straight from the Windows 7 sound library.
Muséu del Pueblu d’Asturies
Saturday May 2nd
_PL
Julek ploski operates fluidly between maximalist, hyper-digital chaos and tender, emotional introspection. He boldly fuses cinematic, symphonic-opera grandeur, high-octane rave beats, lyrical piano melodies, and twisted echoes of trap and metal. Ploski’s music moves through liminal spaces, blending euphoric club energy with a sense of paranoid urgency, all while holding space for inward soft intimacy.
In 2023, he dropped his third album, ‘Hotel*****’ via US label Orange Milk Records. It was soon followed by the EP ‘Matcha Latte, Contemplation’, put out by Polish imprint Dyspensa Records. In 2025, he unveiled his most personal LP to date – ‘Give up Channel’ – a deep dive into the textures of MIDI sound exploring emotionally rich, post-internet sonic landscapes with a fearless genre-blurring approach.
Known for his wild, post-spectacular audiovisual shows, Julek pairs his music with surreal, absurdist digital animations he creates himself. His performances immerse audiences in a unique aesthetic landing somewhere between cinematic melodrama and deep-fried internet nostalgia
_ES
A composer and musicologist from Gijón, Sara Muñiz’s work revolves around the sonic exploration of the piano and string instruments, creating soundscapes that move between contemporary classical music and ambient. She maintains a strong interest in recursion, repetition and drone, in a search for introspective, altered states of consciousness.
In 2003 she released her first solo album, Animus, an intimate place-based project shaped through soundscapes that examine the dialogue between the self and its psychogeographical surroundings. In parallel, Sara develops transdisciplinary collaboration with other artists such as Kela Coto (visual art), Tania González (contemporary dance), composer Clara Brea, and filmmaker Ramón Lluis Bande
With her latest project, Numen, she explores the soundscape of territory, where music generates an organic habitat, giving form to the most numinous and mysterious dimensions of reality. Through the transformed sound of the viola and the creation of layered textures using loops, the work unfolds across a series of evocative states that invite listeners to navigate their own intimate cartographies.
_ES
Enrique del Castillo will present Umbráfono on the incomparable stage of the Iglesia de la Laboral, which has reopened to the public following six years of restoration works. Europe’s largest elliptical dome will provide the setting for a unique sound experience.
Starting in 2018, the Umbráfono Project investigates the possibilities of generating sound through image and light, using a 35mm film, using machines and optical reading systems designed and built by the artist himself.
This line of research has earned him notable recognition, including the first international PowSOLO Sound art Award in 2020. His work has also been exhibited and performed internationally, from the 25 FPS Festival in Zagreb to Cafe OTO in London, as well as at institutions such as MACBA, Matadero Madrid, and the Centro de Creación Contemporánea de Andalucía (C3A).
As a graphic artist and musician with a multidisciplinary background, the work of Enrique del Castillo (Jaén, 1982) lies at the intersection of visual art and experimental music. He holds a Fine Arts degree from the University of Granada, Master’s in Artistic Production and Research from the University of Barcelona, and classical training at the Ramón Garay Professional Conservatory of Music (Jaén). His visual practice has developed alongside sound art, with more recent forays into the fields of performing arts and film.
Umbráfono will be performed in two shows.
_TW
Not until the edge of the world, can the wanderer be free from all suffering.
— Saṃyukt-āgama 234
Within a vast and desolate game world, players gradually sink into the endless experiences. The three remaining developers, following their primal instructions, embark on a quest to find the world’s secret master key, as well as the purpose of their own existence.
Ignorance Online: ev0 is a Live Audio-Visual Cinema powered by game engines and AI technology. Through the lens of “Data Spiritualism,” it explores the intricate technological, political, and psychological structures that shape our existence, unraveling the complex layers of contemporary reality. Premiering at L.E.V Festival, this science fiction story envisions the shared cycle binding humans, AIs, and all living beings – the suffering they endure together, and the possibility of breaking free from the loop.
NONTECH is a creative collective founded by Taiwanese multidisciplinary artist Yi Kuo. Previously active as the founder NAXS Corp, and the audio-visual artist of NONEYE. Kuo is a prominent figure in new media art, theater, and audiovisual performance. His works have been presented at festivals such as Mutek, Transmediale, Unsound, Lunchmeat, and L.E.V.
This project also features Taiwanese collective XTRUX for visual production and performance, and Jing for music design, bringing forth the unique perspectives of Taiwan’s new generation of creators.
This creative project is supported by NCAF through the category of grants for the Art Advances.
_ES, Artificial Intelligence
Active since 2005, Komatssu brings together the most personal alias of Asturian Dj and producer Hector Sandoval (Tensal and 50% of Exium). His project is built on the natural fusion of melodic IDM, electro, breakcore and spectral avant-techno.
Aside from occasional live performances at festivals such as LEV Festival or Fanzine, in recent years he has become a regular DJ at clubs including Razzmataz, Stardust, Lanna, Bass Valley, Ohm (Berlin), and Prisma. His sets, crafted exclusively with vinyl from his personal collection, explore the synergies between Electro, Acid, Jungle, EBM, and all forms of electronic beats.
Pulchra Errata is the name of his latest album, released in 2025 on the renowned Madrid label Artificial Intelligence. Its title refers to all those “Beautiful Mistakes”—fragments of forgotten project files dating back to 2008 that never found a place on any of his previously released albums. Dancing between melodic IDM, cosmic techno, and various breaks and melodies, Pulchra Errata brings to life ideas developed over the past 17 years in a story of hope and second chances.
Muséu del Pueblu d’Asturies
Saturday May 2nd
instagram Tensal
facebook Tensal
facebook Komatssu
soundcloud
_US/BE
Since the release of his first demos in 2011, percussionist, sound manipulator and visual artist, NAH has been developing his own dynamic synthesis of textured noise and genre smashing percussive rhythms with firm roots planted in DIY punk, noise, avant jazz, electronic music and the restlessness of hip-hop. Performing live with little more than a drum kit and various samplers, he channels a frenetic energy that teeters on the edge of violent hostility and playful chaos. Recent years have found him not only producing his own work but also collaborating with artists such as Wiki, Mike, Moor Mother, Slauson Malone, Iggor Cavalera, Evicshen, Cities Aviv, Obongjayar and many more.
_FR/CL
Nova Materia is a Franco-Chilean duo formed by Caroline Chaspoul and Eduardo Henriquez, former members of the influential Chilean post-punk band Panico. Exploring the boundaries between electronic music, post-punk, and industrial rhythms, the project stands out for its innovative approach, using unconventional instruments such as metals, stones, and found objects to create immersive, experimental soundscapes.
Renowned for their intense, ritual-like live performances, the duo has released several albums and EPs on labels such as Kill the DJ and Crammed Discs, performed internationally at major festivals and venues, and collaborated across disciplines with visual artists, choreographers, and performers.
Their reputation as creators of total sonic experiences is more than justified. No one leaves a Nova Materia concert unscathed – it’s a true “sonic mass”.
_UK
A trailblazing musical polymath, NikNak has carved a niche for herself in the music industry with her distinctive turntablism, immersive compositions, and captivating improvised performances. Heralded by the likes of DJ Mag, Clash, The Wire and Resident Advisor, her debut album Bashi garnered critical acclaim, positioning her as one to watch in the experimental electronic music scene. Her fourth studio album Ireti was released on Matthew Herbert’s label Accidental Records in 2024 and was named one of the year’s best albums by Mixmag and Bandcamp.
_KR
Formed in Seoul in 2008, Tacit Group has been translating contemporary technology into the language of performance, integrating coding, algorithms, live coding, and real-time visuals. Their work originates from the creative displacement of everyday elements—such as games and digital chats—into the realm of algorithmic art, extracting a futuristic sensibility from the fragments of the mundane.
Having performed on prestigious global stages including the Museum of Contemporary Art Chicago (MCA), Lincoln Center in New York, Aarhus Festuge in Denmark, and the grand opening of the National Museum of Modern and Contemporary Art (MMCA) in Seoul, Tacit Group’s trajectory goes beyond the mere instrumentalization of technology. They construct systems as artistic organisms, defining a new syntax for media art.
Their new work 〈FrankenTacit〉 is a cryptic, 45-minute collaboration with an “AI Monster” that has been trained on the unique aesthetics of Tacit Group. Condensed with sophisticated design and visual aesthetics, this experiment opens a new horizon for symbiosis between artist and AI. It serves as a powerful preview of future art at the critical threshold where technology expands the boundaries of human potential.
